In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.
Self (archival)
Self - Wife
Self - Daughter
Self - Goddaughter
Self - Film Producer
Self - Student / Friend
Self - Close Friend
Self - Family Friend