Prick Up Your Ears (1987)
Overview
When the young, attractive Joe Orton meets the older, more introverted Kenneth Halliwell at drama school, he befriends the kindred spirit and they start an affair. As Orton becomes more comfortable with his sexuality and starts to find success with his writing, Halliwell becomes increasingly alienated and jealous, ultimately tapping into a dangerous rage.
Cast
Gary Oldman
Joe Orton
Alfred Molina
Kenneth Halliwell
Vanessa Redgrave
Peggy Ramsay
Wallace Shawn
John Lahr
Lindsay Duncan
Anthea Lahr
Julie Walters
Elsie Orton
Frances Barber
Leonie Orton
Janet Dale
Mrs Sugden
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CinemaSerf
Maybe now, a few decades after this was made and when the politically correct brigade advocate that only gay actors should play gay roles, they ought to watch this and see just how engagingly two straight blokes can do what it says on their CVs and act! This is quite a witty and telling retrospective on the turbulent lives of playwright John "Joe" Orton (Gary Oldman) and his general factotum, friend, confidante and part-time lover "Kenneth" (Alfred Molina) set at a time when homosexuality in the UK was starting to emerge from the shadows of illegaility and, even amongst the more theatrical fraternity, was still frowned upon. What now ensues sees their relationship vacillate wildly, temptation rear it's ugly head and an unattractive degree of thoughtless, even callous, behaviour creep into Orton's behaviour towards his obsessive friend. Jealousy and toxicity aren't far away either, especially when Orton starts to see the fruits of his labours and makes a few quid. It's quite possibly the most perverse of love stories and there's a palpable chemistry that straddles loving and loathing between these two men that's well delivered by Orton, yes, but more so by the emotionally cuckolded character played by Molina. It's entertainingly speculative in nature, but that's delivered plausibly and epitomises a great many relationships where success profoundly alters the dynamic with drastic effects. It's also an interesting glance at the hypocrisy of public attitudes in the UK in the late 1960s and though not quite so potently, still resonates today - long after the "Section 28" debate that was about to hit the UK shortly after this was made. Good soundtrack, too.
