Come to the Stable

Come to the Stable (1949)

6.4/10 24 votes 1h 34m HD

Overview

Two nuns arrive unannounced in the small New England town of Bethlehem, where they recruit various townspeople to help them build a children's hospital.

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Cast

Loretta Young

Loretta Young

Sister Margaret

Celeste Holm

Celeste Holm

Sister Scholastica

Hugh Marlowe

Hugh Marlowe

Robert Masen

Elsa Lanchester

Elsa Lanchester

Amelia Potts

Thomas Gomez

Thomas Gomez

Luigi Rossi

Dorothy Patrick

Dorothy Patrick

Kitty

Basil Ruysdael

Basil Ruysdael

The Bishop

Dooley Wilson

Dooley Wilson

Anthony James

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CinemaSerf

CinemaSerf

7/10

There was always something of the butter wouldn’t melt about Loretta Young but rarely more so in this enjoyable caper of two nuns who set about building a children’s hospital. Her sister “Margaret” has travelled from wartime France with her colleague “Scholastica” (Celeste Holm) and they have arrived at what they reckon, thanks to a nativity at the home of the eccentric “Miss Potts” (Elsa Lanchester), is a divinely inspired site. There’s plenty of land and an old factory for them to use so all they need do now is get the bishop to give them some cash and away they go. Unfortunately, he (Basil Ruysdael) hasn’t the cash nor is he convinced that they will ever get the land owner to sell. Undaunted, they set off on that task and so follows a series of amiable escapades involving gangsters, a songwriter who doesn’t really want them in his backyard (Hugh Marlowe), plenty of noisy geese, ducks, jams and the best example of a fully frocked nun playing tennis you are ever likely to see. Is there any doubt as to the conclusion? Well no, indeed that aspect of the film is all rather rushed. It’s the path to that which brings a feel-good factor to the proceedings with these two persistent women staying just the right side of annoying as they mix dedication with a certain degree of serendipity to attain their goal. It has the feel of a Christmas film to it, with messages of humanity and decency writ large; Lanchester plays engagingly as the well-meaning but slightly dotty “Potts” and though I could have been doing with a little more from Holm, she and Young deliver a mischievous blend of tenacity and the silly quite entertainingly.

June 1, 2025